There are generally four types of lens photograph every wedding photographer should have in his Gig Bag:
Wide-angle zoom
Wide-telephoto zoom lens
Image-stabilized telephoto zoom
Prime lenses / portrait
Wide-angle zoom
Wide-angle lenses have a zoom of the main objectives photograph every wedding photographer would normally 17mm to 35 mm in length with a fixed aperture of 2.8. They offer a great depth of fieldArea, which makes it easier to get in the foreground and background in focus. They are an indispensable wedding photography equipment, which allows flexibility in confined spaces such as a banquet hall or dance floor crowded. While shorter Goals allow you to capture more details, zoom wide-angle lenses allow you to get more reactions and atmosphere to tell a richer story.
To elaborate further, in order to zoom wide-angle photography to take a broader perspective of momentsHappening all over the big problem, and provide a broader picture of the whole event. For example, wide-angle photos are able to say: "stories in a story" so that they reveal more about the history behind the shot. This is essential for a good photojournalistic wedding photography. As the events surrounding the wedding are so time sensitive, slow good photograph can capture as many actions or emotions in the shortest possible time.
When used in a place likeas the church or ballroom, wide-angle lenses with zoom camera also increases the size and spaciousness of the area that embodies the feeling of a creative photography photojournalistic wedding.
However, you must be selective action scenes or zoom with wide angle lenses to shoot wide as a limitation is that it creates a distortion of the body, especially if a subject is photographed close up. In general, people tend to look heavier and shorter on the sides, whileIt may seem huge arms. The last thing you want is to have the bride put curse for having provided her look like she has to £ 10! To overcome this problem, you should avoid as far as possible, that the bride and groom at the edges of wide angle distortion. In addition, the wide-angle photography is disruptive or introduce unwanted elements into the frame, which would otherwise ruin a perfect moment of the image.
Wide-telephoto zoom lens
Wide-Tele-Objectives The objectives are the most important, is not a wedding photographer can do without. You should ideally have lenses that can cover somewhere around the 20-70mm focal length with an aperture of f/2.8. The ideal offer, you can be wide enough to take a group photo and close enough to capture facial emotion in a snapshot or three-quarter portrait of a couple without the negative effects of wide-angle perspective distortion. They also serve as a good target for doublePortraits. Since only this goal, we would be able to more shots needed for a wedding to capture decently well.
Image-stabilized telephoto zoom
Tele-image-stabilized zoom lenses are also essential elements for your wedding list photo equipment. The 70-200mm focal length is an important area for wedding photos. It allows you to make more room for subjects in situations where you do not want to get in your way. How often have youShooting down the aisle from the back of the church came to image-stabilized telephoto zoom very useful. 200mm is long enough to be able, 3 / 4 length photos of the bride and groom exchange vows taken during the stay a reasonable distance is wide, and 70mm from the action enough to get the bridesmaids and groomsmen as a group of To shoot without switching lenses.
A positive point is that it could occur when using photography as a slow, beautiful background blurreached a maximum aperture f/2.8 focal lengths wide and 200mm long or 300mm, if you have a full frame sensor or a small body. This helps isolate the subject from the background, and focus on the image you portray as the main subject focus. These lenses are ideal for photography in which no shots are close and intimate and private moments where you want to get to an unseen stranger at a distance. Some examples arefurtive glance, a mischievous smile, a kiss - the data that are effectively communicated emotions. Image-stabilized telephoto zoom photography therefore play an important role in the collection of these moments.
These image stabilized telephoto zoom photography are not only good for background blur events or shooting from a distance. Could also be used to be awesome facial close-ups of creative angle up or down the theme that do not show the normal patternDistortion of the chin or large heads contraction, which come from a wider lens photography.
Another advantage of such a goal is the photo that you can use the 1.5x crop factor camera's small sensor in your favor. The long end of the 200/2.8 would be convenient standard zoom lens 300/2.8, a goal, which is $ 4000 for a full-frame camera. The effective length of 300mm makes creative photo corners shorter Camcorders, like images cut out from closeSpouse hands to lift the veil of the bride or the bride and groom hands as they put any rings on his fingers.
The obvious disadvantage of image-stabilized telephoto zoom to pull in many cases, long-lens photography, the subject of the most important scene, and tilt would be little or no context, because the problem was, they felt could be expressed as the place of the subject and who else was there.
When using a small camera sensorMain body or backup, the other disadvantage of image-stabilized telephoto zoom, that not one of Nikon, Canon or Sony for an f/2.8 lens, which will make you an effective 70-200mm focal length. Therefore, you should pay the high price and bear the weight of the lens photography to the capabilities of a full frame camera is.
Canon Image Stabilization, Vibration Reduction Nikon and Sony's SteadyShot INSIDE are systems in which the hand-holding this very importantand heavy long lens photography, especially in low light situations. Every wedding photographer should ensure that the image stablization and features vibration reduction lens is long. You might also consider using a tripod to ensure the continuous, precise positioning of the subject and sharp photos. These tele-photo zoom lens is a huge investment, and if you have a budget constraint or an amateur just starting out, you might consider hiringinstead.
Prime Lenses
Prime lenses are essentially fixed focal length lenses as zoom lenses, variable focal length 24-70mm say they oppose or have 17-55mm. Prime lenses are generally in better quality than the mode optical zoom lens, and usually with large maximum apertures like 2.8 or 1.8.
Good fixed focal length lenses are must-have for wedding photographers and photography, are honored for their goodPortraits. Even if you have enough for a wedding shoot with the three zoom lenses in a lens kit to have, as described above, it is also worth two fast prime lenses in the bag 58 as well. This photo lenses are compact, lightweight and relatively inexpensive and probably run around 10 to 20% from a wedding requires.
Photography lenses are ideal fastest main situations in which the opening of f/2.8 is not enough to stop the movement, the shutter speed or get flatDepth of field is desired, both for artistic or technical reasons. For example, one image at 1/20th of a second shutter speed to 2.8 you need only require 1/60th of a second at 1.8, makes a distinction between a photo and a sharp focus. Many professional wedding photographers are actually fixed focal length concert in their bags as the economic security of their zoom lenses. Not many people can afford to buy a further 70-200mm f/2.8 telephoto as a backup and you alsowant a situation where desperate not to share your camera lens so that during a crucial moment.
There are many prime lenses on the market, but most photographers would have a 28/1.8, 50/1.8, 85/1.8 and included in their first photo lens kit for use on a full frame body. The 28mm is wide enough to cover the ceremony and most places in tight spaces, the 50mm is good for many small groups, or a priest blessing a couple, and 85 mm is sufficient for the ceremony and vowsExchange of rings. A successful marriage can be photographed only with these three lenses Photography.
