Wedding photography lenses that every photographer can not do without

There are generally four types of lens photograph every wedding photographer should have in his Gig Bag:

Wide-angle zoom
Wide-telephoto zoom lens
Image-stabilized telephoto zoom
Prime lenses / portrait

Wide-angle zoom

Wide-angle lenses have a zoom of the main objectives photograph every wedding photographer would normally 17mm to 35 mm in length with a fixed aperture of 2.8. They offer a great depth of fieldArea, which makes it easier to get in the foreground and background in focus. They are an indispensable wedding photography equipment, which allows flexibility in confined spaces such as a banquet hall or dance floor crowded. While shorter Goals allow you to capture more details, zoom wide-angle lenses allow you to get more reactions and atmosphere to tell a richer story.

To elaborate further, in order to zoom wide-angle photography to take a broader perspective of momentsHappening all over the big problem, and provide a broader picture of the whole event. For example, wide-angle photos are able to say: "stories in a story" so that they reveal more about the history behind the shot. This is essential for a good photojournalistic wedding photography. As the events surrounding the wedding are so time sensitive, slow good photograph can capture as many actions or emotions in the shortest possible time.

When used in a place likeas the church or ballroom, wide-angle lenses with zoom camera also increases the size and spaciousness of the area that embodies the feeling of a creative photography photojournalistic wedding.

However, you must be selective action scenes or zoom with wide angle lenses to shoot wide as a limitation is that it creates a distortion of the body, especially if a subject is photographed close up. In general, people tend to look heavier and shorter on the sides, whileIt may seem huge arms. The last thing you want is to have the bride put curse for having provided her look like she has to £ 10! To overcome this problem, you should avoid as far as possible, that the bride and groom at the edges of wide angle distortion. In addition, the wide-angle photography is disruptive or introduce unwanted elements into the frame, which would otherwise ruin a perfect moment of the image.

Wide-telephoto zoom lens

Wide-Tele-Objectives The objectives are the most important, is not a wedding photographer can do without. You should ideally have lenses that can cover somewhere around the 20-70mm focal length with an aperture of f/2.8. The ideal offer, you can be wide enough to take a group photo and close enough to capture facial emotion in a snapshot or three-quarter portrait of a couple without the negative effects of wide-angle perspective distortion. They also serve as a good target for doublePortraits. Since only this goal, we would be able to more shots needed for a wedding to capture decently well.

Image-stabilized telephoto zoom

Tele-image-stabilized zoom lenses are also essential elements for your wedding list photo equipment. The 70-200mm focal length is an important area for wedding photos. It allows you to make more room for subjects in situations where you do not want to get in your way. How often have youShooting down the aisle from the back of the church came to image-stabilized telephoto zoom very useful. 200mm is long enough to be able, 3 / 4 length photos of the bride and groom exchange vows taken during the stay a reasonable distance is wide, and 70mm from the action enough to get the bridesmaids and groomsmen as a group of To shoot without switching lenses.

A positive point is that it could occur when using photography as a slow, beautiful background blurreached a maximum aperture f/2.8 focal lengths wide and 200mm long or 300mm, if you have a full frame sensor or a small body. This helps isolate the subject from the background, and focus on the image you portray as the main subject focus. These lenses are ideal for photography in which no shots are close and intimate and private moments where you want to get to an unseen stranger at a distance. Some examples arefurtive glance, a mischievous smile, a kiss - the data that are effectively communicated emotions. Image-stabilized telephoto zoom photography therefore play an important role in the collection of these moments.

These image stabilized telephoto zoom photography are not only good for background blur events or shooting from a distance. Could also be used to be awesome facial close-ups of creative angle up or down the theme that do not show the normal patternDistortion of the chin or large heads contraction, which come from a wider lens photography.

Another advantage of such a goal is the photo that you can use the 1.5x crop factor camera's small sensor in your favor. The long end of the 200/2.8 would be convenient standard zoom lens 300/2.8, a goal, which is $ 4000 for a full-frame camera. The effective length of 300mm makes creative photo corners shorter Camcorders, like images cut out from closeSpouse hands to lift the veil of the bride or the bride and groom hands as they put any rings on his fingers.

The obvious disadvantage of image-stabilized telephoto zoom to pull in many cases, long-lens photography, the subject of the most important scene, and tilt would be little or no context, because the problem was, they felt could be expressed as the place of the subject and who else was there.

When using a small camera sensorMain body or backup, the other disadvantage of image-stabilized telephoto zoom, that not one of Nikon, Canon or Sony for an f/2.8 lens, which will make you an effective 70-200mm focal length. Therefore, you should pay the high price and bear the weight of the lens photography to the capabilities of a full frame camera is.

Canon Image Stabilization, Vibration Reduction Nikon and Sony's SteadyShot INSIDE are systems in which the hand-holding this very importantand heavy long lens photography, especially in low light situations. Every wedding photographer should ensure that the image stablization and features vibration reduction lens is long. You might also consider using a tripod to ensure the continuous, precise positioning of the subject and sharp photos. These tele-photo zoom lens is a huge investment, and if you have a budget constraint or an amateur just starting out, you might consider hiringinstead.

Prime Lenses

Prime lenses are essentially fixed focal length lenses as zoom lenses, variable focal length 24-70mm say they oppose or have 17-55mm. Prime lenses are generally in better quality than the mode optical zoom lens, and usually with large maximum apertures like 2.8 or 1.8.

Good fixed focal length lenses are must-have for wedding photographers and photography, are honored for their goodPortraits. Even if you have enough for a wedding shoot with the three zoom lenses in a lens kit to have, as described above, it is also worth two fast prime lenses in the bag 58 as well. This photo lenses are compact, lightweight and relatively inexpensive and probably run around 10 to 20% from a wedding requires.

Photography lenses are ideal fastest main situations in which the opening of f/2.8 is not enough to stop the movement, the shutter speed or get flatDepth of field is desired, both for artistic or technical reasons. For example, one image at 1/20th of a second shutter speed to 2.8 you need only require 1/60th of a second at 1.8, makes a distinction between a photo and a sharp focus. Many professional wedding photographers are actually fixed focal length concert in their bags as the economic security of their zoom lenses. Not many people can afford to buy a further 70-200mm f/2.8 telephoto as a backup and you alsowant a situation where desperate not to share your camera lens so that during a crucial moment.

There are many prime lenses on the market, but most photographers would have a 28/1.8, 50/1.8, 85/1.8 and included in their first photo lens kit for use on a full frame body. The 28mm is wide enough to cover the ceremony and most places in tight spaces, the 50mm is good for many small groups, or a priest blessing a couple, and 85 mm is sufficient for the ceremony and vowsExchange of rings. A successful marriage can be photographed only with these three lenses Photography.

How to Take Star Photos Without a Telescope

Image : http://www.flickr.com

You don't need a telescope to take beautiful and even dramatic photos of the stars and the night sky. You just need a camera and film. In this article I give you tips and techniques for taking great night sky pictures.

There are two basic types of star photos you can take. The first type is a fast picture with an exposure of less than 30 seconds. This type of picture shows the stars as stationary. The second type of picture you can take is a star trail picture. If you leave the shutter of your camera open for an extended period of time the stars will form long tracks on the picture as they cross the sky. Both types are attractive and easy to do. In addition to simply taking pictures of the sky you can add landscape features into the picture. This tends to make the picture very dramatic and especially appealing.

The Equipment you need


A camera that has the ability to leave the shutter open for long periods of time. This function is often called the bulb function. The camera should have either a B or a T setting. This can be difficult to find with newer digital cameras


A roll of high speed film - 800 speed film is good but if you don't have easy access to this film then 400 speed film will work reasonably well


A camera tripod or some other means of keeping your camera very still


A baseball hat or a piece of heavy dark cloth

How to take the pictures


Before you go out load your film into the camera and take one indoor picture. This sets the film properly so the developer can see the frames


Bring all your equipment outdoors for at least a half hour before you intend to take the pictures. This allows the optics of the camera to adjust to any temperature or humidity difference


Set your camera firmly into your tripod


Hold the baseball hat or piece of heavy dark cloth over the lens of the camera without touching the camera


Activate the shutter button so the shutter opens


The camera is now live and the film is ready to be exposed


Remove the hat or cloth and this begins the exposure


Count off how long you want the exposure to be - A good place to start would be with a ten second exposure


Replace the hat or cloth so the lens is once again blocked


Close the shutter by releasing the shutter button

That is the whole process of taking a night sky picture. We use the baseball hat because activating the shutter will cause vibration in the camera which could distort the delicate picture you are taking. Just the motion of you pressing the button or the motion of the shutter moving can be enough to ruin the picture and take away the pinpoint sharpness of the stars.

You might be wondering how to keep the shutter open without holding the button down. You can use one of a few different solutions. The first solution is something called a shutter cable release. This is a cable that connects to the shutter button of the camera. (Newer cameras might not have this option) You press the button on the end of the cable and then lock it in the shutter open position. The second solution is to use a rubber band or some other type of setup to actually hold your shutter button down. I have used a rubber band successfully on a basic 35mm camera.

About the Exposure lengths

You should take a notebook with you and keep track of the exposure time for each picture you snap. This way you can judge which exposures worked the best and when you try again on another night your pictures will be improved. Remember to start out by taking a picture of a household object so the first picture on the frame will be correctly set for the developer. Then take your night sky photos with different time intervals starting at 5 seconds. Then progress to some 30 second shots and 1 minute shots.

Depending on what part of the sky you are taking photos of once you get over 30 seconds the stars will start to leave trails on the film. You can take exposures of several hours to get really long and attractive star trails. A minimum of about 20 minutes will leave a detectable and attractive trail.

Improving your Star pictures

To get the best pictures try to get the darkest skies possible. Light pollution from houses, streetlights and other city sources can wash out your picture. Also you can add earth bound objects to the picture. Silhouettes of buildings trees or other land based objects under a starry sky can make a very attractive picture. If you have a nearby object that you want in the picture but it is too dark you can even shine a flashlight on it while the film is being exposed. This will illuminate the object with a soft glow but not ruin the picture.

When bringing your film to the developer make sure you tell them that you have taken night time star photos and that all the pictures should be developed and printed. As a minimum you should make a note of this on the envelope you put the film in. It will avoid the developer thinking none of the pictures came out and not making any prints.

Astrophotography is the art of taking pictures of night sky objects and there are lots of possibilities for you to experiment in this art without a telescope. All you need is a simple 35mm camera, some high speed film and a few hours under dark skies.