Before, being a filmmaker used to be only for the rich and wealthy, but with a Panasonic HVX200 Video Camera, today, everybody's a director. Thanks to the digital technology, we can now say goodbye to 35mm film.
Films are hard to make. From the production costs alone, 35mm films cost an arm and a leg, and this can be quite expensive if you're going to shoot a full-length feature. You have to make sure the film doesn't get exposed when you load the film, and take out the film. Then you have to be extra careful nothing happens to it, or else your shots will be gone forever.
But because we're in the digital age, anybody can be the next Spielberg, Tarantino, or Coppola. Think of that perfect idea for an award-winning or blockbuster film, then shoot it using a Panasonic HVX200. It can record in 24 frames per second or 24p, 30p, and 60p. A Panasonic HVX200 isn't HDV, the format it uses is called the DVCPRO-HD. DVCPRO-HD supports up to 100 Mbps data rates. But if you just want standard DV, the Panasonic HVX200 can also give you this.
The difference between Panasonic HVX200 from other cameras is that you don't need to buy tapes anymore. Tapes have become obsolete. All you need are memory cards that record your footage. Memory cards start from 8GB, which is equivalent to 10 minutes. Shoot and record using these memory cards and transfer your footage directly to your computer or to data hard drives. Whether you like editing using Adobe, Final Cut Pro or Avid, the footage from the memory cards also make editing easier for you when you find your footage.
The reason why a lot of television networks and independent filmmakers love this camera is that if used well, the end product could come quite close to film. A Panasonic HVX200s uses a 13x Leica lens and has two stereo pairs or four uncompressed channels of 16-bit 48Khz quality audio.
The Panasonic HVX200, or also known as the P2, is the more advanced version of the DVX100, its older sister. The DVX100 records 24p on tape, and the P2 is a higher end version of this. The reason why the P2 is better than the Sony HD cams is because to the trained eye, the Sony looks more obviously video. The beauty about the DVX100 is that it's very small, and doesn't need much light. It can also capture shadows beautifully. Documentary filmmakers might like this if they prefer to still use tapes. Switching every 8 minutes might ruin their momentum. But if you're a trained camera man, go ahead and explore with the Panasonic HVX200.
You don't have to be rich, or look for a rich producer for you to shoot your dream movie, all you need is a wonderful script, talented actors, a Panasonic HVX200, and a computer, to make your filmmaking dreams come true.
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