Smaller sensors give a cropping effect to the image, making field of view smaller for any given focal length. Simply, lenses give a more zoomed-in feel on crop sensors (DX) compared to full-frame (135 film, FX). It's good to note that given their popularity (especially in the past with film), full-frame focal-lengths (and equivalents) are often the standard focal lengths to compare to.
The difference is about 1.5x for Nikons DX to FX comparison. So, a 35mm lens, which is a bit shorter than a standard lens for full frame, would give you the same field-of-view as a 52.5mm on a full-frame camera, and that is considered to be a 'standard' lens.
Here's how I think of it (this probably varies among photographers) For full-frame:
- <28mm = ultra-wide
- ~28mm = wide-angle
- ~50mm = standard
- ~85mm = portrait
- >100mm = telephoto
- <18mm = ultra-wide
- ~18mm = wide-angle
- ~35mm = standard
- ~50mm = portrait
- >70mm = telephoto
It isn't very fast and it won't turn any heads, but it is a nice, sharp lens. Ken Rockwell praised its sharpness and said it was a bargain compared to other lenses in the same focal length range. Similarly, Thom Hogan praised its value and optical performance, but criticized its handling, noting a diminutive focus ring that rotates during focusing, with no manual override. Anything wider (ultra-wide territory) is going to cost significantly more (>$500). I don't normally suggest zooms, but at ~$150 used, it's hard to beat. And the VR makes up for its small aperture if you're not shooting anything that moves.
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